2021 year.

In recent months, life has plunged us into such seriousness that I wanted to throw off these oppressive fetters of despondency even for a moment, and give our fantasy the right to freedom and expression. I wanted to go out into the empty city and fool around, be transported into the atmosphere of airiness and extravaganza.
My film Camera Mamiya was already covered with a thick layer of dust and had been waiting for this moment for a years. And finally, I again look at the world through his lens and see how we pass the city center along with an inflatable crocodile, as if Dali himself took an anteater out for a walk, twisting his long dark mustache to the top.
I get goosebumps when I finally get my negative. This moment of anticipation and expectation ... Dali's surrealism haunts even at this moment, when I especially acutely feel how fluid and formless time is.

TATIANA MIKHINA